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Soundscapes of Liberation African American Music in Postwar France
Autor/Hrsg.: Moore, Celeste DayOrt: Durham
Verlag: Duke University Press
Jahr: [2021]
Umfang: 1 online resource (308 pages)
ISBN: 9781478021995
Schlagwörter: Frankreich / Schwarze / Musiker / Amerikanischer Einwanderer / Geschichte 1945-1960
Zugriff vom Campus der TH Aschaffenburg, der HS Coburg
| Autor/Hrsg.: |
Moore, Celeste Day
|
|---|---|
| Titel: | Soundscapes of Liberation |
| Untertitel: | African American Music in Postwar France |
| Ort: | Durham |
| Verlag: | Duke University Press |
| Jahr: | [2021] |
| Jahr: | © 2021 |
| Umfang: |
1 online resource (308 pages) |
| ISBN: | 9781478021995 |
| ISBN: | 1478021993 |
| Reihe: | Refiguring American Music : 25 |
| Fußnote: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Fußnote: | In English |
| Kurzbeschreibung: | In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements |
| Schlagwörter: |
Frankreich ;
Schwarze ;
Musiker ;
Amerikanischer Einwanderer ;
Geschichte 1945-1960 |
| Subject: | African American musicians France African Americans Music Influence African Americans Music History and criticism France Blues (Music) History and criticism Europe Blues (Music) History and criticism 20th century France Jazz History and criticism Europe Jazz History and criticism 20th century France Popular music History and criticism Europe |
| E-Book TH Aschaffenburg: | https://www.degruyter.com/isbn/9781478021995 |
| E-Book HS Coburg: | https://www.degruyter.com/isbn/9781478021995 |
| Volltext : | https://www.degruyter.com/isbn/9781478021995 |
| Volltext : | https://doi.org/10.1215/9781478021995 |
| Bestand Bayern: | BV047602514 |
| Produktsigel: | ZDB-23-DGG |
| Produktsigel: | ZDB-198-DUB |
| Produktsigel: | ZDB-198-DUP |
